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I can’t believe how much time has passed since my last post, but life has been FULL! Work on the mural continues pretty much everyday and I am doing my best to try and get it up on the wall before July. (But no promises! I can only move so fast.) Keep your ears open for announcements of an unveiling event! It should be a fun one, as Equamore really wants to help me celebrate this with the community of Talent and the Rogue Valley. More on this below.
While working on the mural, I and my friend Lynn Adamo finished and installed the Booker T. Frog sculpture (the T. stands for “the”) on his new mosaic lily “pad” at the McMinnville Public Library at the end of April. (See earlier progress post) We had lots of help from friends to make this work just right. Everyone was excited to see Booker again and even more excited to see the mosaic brighten up the entrance to the library. You can read more about it and see photos over at Lynn Adamo’s great blog post: http://www.lynnadamo.com.
I have to say I had no idea how many steps would and could go into creating The Horses of Equamore mural. I have done similar work before of course, but each project somehow seems totally different and new. I love a challenge, and rarely tackle anything that isn’t one, but this project turned out to be sort of a reverse-engineered mosaic, which is way more complicated than I originally thought it would be.
Rather than starting with pieces and putting them together to make a whole, I started with big slabs of clay (about 32″ x 24″) and cut them up to create the pieces.
Then those pieces were cut down further to create more and smaller sections. Then those sections were deeply scored to create spaces for grout lines so once filled, the lines would create the illusion of a true mosaic. I keep calling it a faux mosaic, but really it isn’t, it is turning out to be tens of thousands of pieces!
I also carve into the clay to create the critters, landscape, etc. by first tracing my template directly onto the leather hard clay.
Because I am designing grout lines into the pieces, I also realized I’d need to protect those grout lines from the shiny clear glaze I’m using on the rest of the pieces. In order to do that I have to hand wax every single grout line and edge of every piece after it is bisque fired and washed.
It sometimes takes an entire day just to wax a single half section.
However, my hope is that the rough texture of the bare clay will ensure the grout will grab and stay in the grout lines (xx= fingers crossed
I’m using underglazes to create the color on the panels. This is a bit more predictable than regular glaze, as the color applied looks somewhat similar to reality once fired. Regular glazes usually look nothing like the color they are — so what goes on green can come out blue, or what goes on pink can come out green. It’s a little maddening and for me too difficult for this type of work.
Here’s a side by side comparison of underglaze before firing, and after firing with a clear coat on top.
To date I’ve completed about 19 feet of the 27 foot total! The next sections are in the kiln with another one awaiting bisque firing. The finish line is in sight 🙂
While that’s happening, I’m trying to create some work for the special fundraising event going on at the Equamore Foundation on Sunday May 31st. It’s called Artists for Equamore and looks like it should be a great deal of fun. I’ll have garden art, ceramic tile plaques, possibly some new mosaic jewelry, and more!
Over 20 local artists (check out the above link), live music, wine, food, and really great horses! What more could one ask for? Even if it rains we’ll be doing it up in the arena area, so don’t give me any excuses. We need your help to make it a success! 20% of all sales are going to the horses – so come on out. 3-6pm.
